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ON FREE PUBLIC VIEW 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, FEBRUARY 19rn, 1921 


AND CONTINUING UNTIL THE DATE OF SALE 
(INCLUDING WASHINGTON’S BIRTHDAY) 


FROM 9a. mM. UNTIL 6 Pp. Mo. 


VALUABLE PAINTINGS 


BY 
OLD AND MODERN GREAT MASTERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


BY ORDER OF A NUMBER OF PRIVATE OWNERS 
AND SEVERAL ESTATES 


ON THE EVENING OF THURSDAY, FEBRUARY 241Tx 
BEGINNING AT 8.15 O’CLOCK 


IN THE GRAND BALLROOM OF THE PLAZA 


FIFTH AVENUE, 58TH TO 59TH STREET 


ILLUSTRATED CATALOGUE 


OF 


weaLUABLE PAINTINGS 
OLD AND MODERN GREAT 
MASTERS 


TO BE SOLD AT UNRESTRICTED PUBLIC. SALE 


FOR ACCOUNT OF A NUMBER OF PRIVATE 
OWNERS AND SEVERAL ESTATES 


ON THURSDAY EVENING, FEBRUARY 24Tn, 1921 


IN THE GRAND BALLROOM 
Peethe HOTEL PLAZA 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF THE 


AMERICAN ART ASSOCIATION, ManacGers 


NEW YORK CITY 


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DESIGNS ITS CATALOGU UES 
ALL DETAILS as ILLU 


CONDITIONS OF SALE 


1, Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 
or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. | 

Payment of that.part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. | 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘fas is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 


foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


EVENING SALE 


THURSDAY, FEBRUARY 24, 1921 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FirtH Avenus, 58TH to 59TH STREET 


BEGINNING AT 8.15 O’CLOCK 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN: 1840—1916 
1—APPLES 


Height, 10 inches; length, 141% inches 


_Lyine in a small, gray-white china dish are a large ripe golden-yellow 
apple with a soft bloom on its delicate skin, and the half of a rosy 
apple, its flesh exposed even to the seeds of the split core. Back of 
the dish, on the yellowish-mahogany table, is a large apple, red and 
light green; glossy green grapes are scattered on the table beside 
it; and the background is a rich, dark green, modified by reflections 
from the table—the whole in “juicy” color. 


Purchased from Messrs. Cottier & Co. 


From the I. T. Williams Collection, 1915. 


Property of a Private Collector. 


d - Dn 
b 55. A. dhblrrg 


AUGUSTIN THEODULE RIBOT 
FrencuH: 1823—1891 
2—THE COOK 
Height, 11 inches; width, 844 inches 

Harmony softly melodious—a motive in rich browns, olive and gray, 

and the tones of sun-warmed flesh. The background is dark brown, 

varying in intensity, the whole surroundings are dark, with a subdued 
_ light from above on the right falling upon the gray-white cap and 

coat of a hardy peasant who is seated beside a dark brown basket of 


green vegetables. 
Signed at the lower right, 'T. Risor, 1853. 


Purchased from the late Daniel Cottier. 
From the I. T. Willtams Collection, 1915. 
Property of a Private Collector. 
4 25: ‘th = Harta 
JAMES ABBOTT McNEILL WHISTLER 
AmERIcAN: 18341903 
3—GREENWICH 
Height, 6 inches; length, 10 inches 
Tue Greenwich docks, in the middle distance, with shipping tied up 
and two or three smoking chimneys, lie beyond a foreground of gray 


waters. The evening sky! shows tints of warm, smoky red below and, 
above, dull yellow blue—the whole harmoniously united. 


Signed at the lower right with the Whistler butterfly device. 


Property of V. WrntHrop Newman of London and New York. 


1/0. m TNOTL 


EMIL CARLSEN, N.A. 
AMERICAN: 18— 
4— STILL LIFE 
Height, 17 inches; width, 14 inches 
A puumpP chicken, dressed and laid on a table with white cloth, the 
head with feathers left on the neck, according to poulterer’s custom, 


hanging over the edge; on the table, also, a glass flagon; background 
of green-gray. 


Signed at the lower right, Emit Cartsen, and dated 94. 
Property of a Private Owner. 


qe. ae Wr dyn e. 


CHARLES EMILE JACQUE 
Frencu: 18138-1894 


5—CHICKENS 
(Panel) 


Height, 4% inches; length, 6 inches 
Unper a slant of light which gilds the straw at their feet are two hens, 


a black one standing and about to peck for food, and a white one 
sitting, before a neutral grayish background. 


Signed at the lower left, Cu. JacaueE. 
From the Alexander Blumenstiel Collection, 1906. 


Property of Miss Harriet WILLIAMS. 


a0. Saliriaves’ ballt 


THEOPHILE DE BOCK 
DutcnH: 1850—1904 


6—CATTLE AT THE POOL 
(Panel) 
Height, 81% inches; length, 14144 inches 


At the farther edge of marshy shallows in the foreground some black, 
black and white and red cows are standing, in front of some low, 
broken hills, with trees at either side, on a day of passing showers. 


Signed at the lower right, Tu. pE Bock. 


Property of a Private Owner. 


$470 K, Undetgor. 


JEAN JACQUES HENNER 
Frencu: 1829—1905 


7—RECLINING NYMPH 
Height, 10 inches; length, 16 inches 


FcuLi-LenetH nude female figure, reclining, in back view, on grassy 
foreground; body supported on elbow of left arm, head, with auburn 
hair, inclined as eyes look into blue waters of a pool which is seen at 
extreme left; landscape setting of tree foliage at right, hillside and 
blue sky at left. 


Signed at the upper right, J. J. HENNER. 
Purchased from Fishel, Adler & Schwartz. 
Property of J. S. Aron. 


550. UW. ul” Ter age. 


LOUIS METTLING 
GERMAN: 1847—1904 


8—RELICS OF THE PAST 
Height, 13 inches; width, 9 inches 


A RAW-BONED, blue-eyed youth, seated on a low cask and observed in 
a half-light, is indulging in martial dreams. He has clad himself in 
a soldier’s brass-buttoned great-coat and campaign hat, shoes that 
are too big for him, puttees or leggings which sag, and he holds under 
one arm a folded red blanket. Between spread knees his lanky hands 
close upon the scabbard of a long sword whose hilt is high as his 
shoulder. 

Signed at the lower left, METTLING. 


Purchased from the late Daniel Cottier. 
From the I. T. Williams Collection, 1915. 
Property of a Private Collector. 


65 f.6, Willever: 


L. ALFRED STEVENS 
Brexician: 1828—1906 


9—LA DAME AU PIGEON 
Height, 18 inches; width, 15 inches 


On a garden path, a full-length figure of a lady, in profile to left; 
warm blonde hair under small hat with spray of blossoms; long black 
walking coat with pendent blue neck ribbons, over black dress; left hand 
holding skirt and gloved, right hand bare raised in gentle gesture, and 
in front of her on the ground a white pigeon with blue ribbon circlet. 
In background, a border of flowers and foliage and blossoms above. 


Signed at the lower left, A. STEVENS. 


Property of and inherited by Cotonet Lton OstErreITH, from the 
Estate of his family, in whose possession it has been for many years, 
as a part of the Collection Osterreith located in the Family Palace 
on the Place de Meir at Antwerp, Belgium. 


300. lr. Aathéon. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


10—THE PASTURAGE 
(Panel) 


Height, 111% inches; length, 19% inches 


An irregular roadway passes from right to left in a foreground of 
meadows, where, at left, is a peasant woman and her cow. At right 
are two pollard willows and a few other small trees while beyond, 
lying in a valley, are the roofs of a little town. Above the low horizon 
is a luminous sky composed of white cloud which but partially veils 
the blue. | 


Signed at the lower right, Corot. 


Recorded in Robaut’s “L’Geuore de Corot,” Volume III, No. 2297, and 
dlustrated from a drawing by Alfred Robaut. Painted, 1870- 
LS ii 


Property of a Private Collector of Boston. 


gL 5. WES Jaknbon 7 


ANTON MAUVE 
Dutcu: 1838—1888 


11—FEEDING TIME 
Height, 13 inches; length, 18 inches 
A BLACK and white cow, in side view to right, with a peasant woman 


wearing gray blouse, black skirt and blue and white kerchief standing 
at her head, in a grassy farmyard; foliage above the wall, at left. 


Signed at the lower right, A. Mauve. 


Property of a Private Owner. 


Aro AMS. porrsor., 


WILLIAM SARTAIN, A.N.A. 
AMERICAN: 1843— 
12—LANDSCAPE 
Height, 14 inches; length, 17 inches 
Brrore a robin’s-egg sky laden with strata of light fleecy clouds a 


dense wood is silhouetted on the right, projecting into a field of wild 
land, the herbage brown in autumn hue. 


Signed at the lower right, W. Sartain. 


Property of a Private Owner. 


GO. . ibd) Se Pe, : 


JAMES M. HART, N.A. 


AMERICAN: 1828—1901 


13—LANDSCAPE AND CATTLE 


Height, 20 inches; width, 16 inches 


In pastures through which winds a shallow stream are five cows stand- 
ing at rest and in the left foreground are two calves. At left some 
widespreading trees border the field and over all is a sky of summer 
clouds with spaces of blue. 


Signed at the lower left, James M. Hart, and dated, 1889. 


From the Estate of Mary A. Rogsrns. 


4108 hae 


SCHOOL OF SIR ANTHONY VAN DYCK 


FiemisuH: 1599—1641 


14—PORTRAITS OF SAINTS 
Twelve Panels in one frame, each: H eight, 5 inches; width, 414 inches 


Upper row: Saints Andrew, Thomas, Simon, Peter. 
Middle row: Saints James, James the Less, Bartholomew, John. 
Lower row: Saints Paul, Philip, Matthew, Mark. 


HaL¥-LeneTu pictures of the twelve saints, all showing a hand or both 
hands; robes—some red, some blue, some brown; heads in different 
positions, full-face, three-quarters or profile; all of varying ages and 
all bearded except one, St. John. 


Property of FrrNanv Goossens, Professor of Fine Arts, University of 
Brussels. 


250. LU Scareunn ag, 


ADRIAEN BRAUWER 
Fremisu: 1605 or 6—1638 


15—LE BUVEUR 
Height, 814 inches; width, 724 inches 


SEATED figure of a young man in pink-brown loose jacket, at a table 
on which are a white cloth, a loaf of bread and a pewter tankard. His 
head is raised and turned in three-quarters to left as he regards a glass 
of wine, held high in his right hand. With the left hand he grasps 
the handle of the tankard. In the background of the tavern room are 
four figures near an open door. Characteristic of the famous artist 
in subject, interpretation and technical treatment. 

On back of panel: a printed criticism from the Paris Figaro, by A. J. Wauters, 


highly praising this work when it was in an exhibition of Old Masters, held in Paris 
in 1880. 


Property of and inherited by Cotonet Lton Osterreitu, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


600. Ll. Karhbon. 


JEAN BAPTISTE GREUZE 
Frencu: 1725—1805 


16—PORTRAIT STUDY 
(Panel) 
Height, 10 inches; width, 84% inches 


Heap of a young man in nearly full-face, to left; brown hair, bare 
throat with gray collar of coat at either side. 
With this picture, Greuze’s palette, the one he last used, in case with label: 


“Palette de Greuze, Paris, 1805.” On the palette: nine small brushes, bound with 
dark blue ribbon and attached with two seals of red wax. 


Property of and inherited by Cotonet Léon OsterreitH, from the 
Estate of his family, in whose possession it has been for many gen- 


erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


f 200. 0. 1 etnel agl 


JEAN VAN RAVENSTYN 
Dutcu: 1572—1657 


17—PORTRAIT OF A WOMAN 
(Panel) 


Height, 181% inches; width, 1484 inches 


Heap of a woman with florid complexion in three-quarters view to 
right; white cap and ruff, black dress, careful technique and exact 


drawing. 


Inscription across top of panel, “Aetat 64, anno dni, 1604. 


Property of FERNAND GoossEns, Professor of Fine Arts, University of 


Brussels. 4 
: 125. Ve. Glendening. 


JOHN OPIE, R.A. 
EwneuisH: 1761—1807 
18—PORTRAIT OF HIMSELF 
(Panel) 
Height, 18 inches; width, 1424 inches — 


Hatr-LenctH portrait of the artist, seated and facing the observer, 
with head inclined slightly toward his right shoulder and glance directed 
toward his right. Light from his left falls full upon his features, and 
upon his white flowing collar and loosely tied old-rose scarf. He is 
clad in brown, and his left hand clasps the top of a stick. Neutral 
background. 


Property of a Private Collector. 


JOHN OPIE, R.A. 
EncusH: 1761—1807 


19—THE FORTUNE TELLER 
(Panel) 
Height, 18 inches; width, 1424 inches 


THREE-QUARTER-LENGTH portrait of a young girl with bewitching eyes 
and quizical expression, standing and facing the spectator, turned 
slightly toward the left. She has a warm gipsy complexion, her eyes 
are a light hazel, and her rebellious brown hair is but lightly bound 
by a golden ribbon. A dark reddish cloak hangs over her shoulders, 
and at her waist she holds a card from the suite of hearts before her 
brown dress. Conventional landscape background. 


Property of a Private Collector. 


SO. E Caton . 


CONSTANTINE NETSCHER 
Dutcu :* 1670—1722 


20—SOAP BUBBLES 
(Panel) 


Height, 19 inches; width, 151% inches 


A soy with blond curls, wearing pink doublet, white lace collar and 
full white undersleeves, body and head to front, leaning on balustrade; 
left arm resting on it and blow tube in hand; right hand raised and 
holding small glass bowl; large vase at right, background of foliage 
and sky. 


Property of FerNanp Goossens, Professor of Fine Arts, University of 
Brussels. 


/00. 4. SM Whback. 


RUSSIAN SCHOOL 


21—LE CHRIST EN CROLX 


(Panel) 
Height, 184% inches; width, 1444 wmches 


A METAL cross with the figure of Christ upon it forms the center of 
this work and on either side of it are painted four full-length figures 
of saints, their titles inscribed on their gold halos. Back of the cross 
are seen the houses of a town and, above, in a clouded sky, at right 
and left, are circular symbols of faces with inscriptions of the Greek 


Church. 


Property of and inherited by Cotonet Lton Osterreiru, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located im the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


f 130 MW We Seamnam agl 


JEAN FRANCOIS RAFFAELLI 
| Frencu: 1850— 


y22-—-ON HIS WAY 
Height, 151% inches; length, 181 inches 


Low scraggly vegetation accented by occasional knobs of shrubbery, 
on the uneven and wild land of a rolling heath, shares the ground sur- 
face with exposures of white soil, varied by expanses of a ferrous red. 
In the distance are outlying houses of a town, and a church’ spire 
is seen. In the foreground, passing to the right, is a lone man of 
stocky build, carrying a bundle in a bag over his shoulder and accom- 
panied by his dog. 

Signed at the lower right, J. F. Rarra&.u. 


From M. Knoedler & Co., New York. 


Property of a Private Owner. 


LALO. WW, Tharpbore. 


GEORGES WASHINGTON 
Frencu: 1827—1903 


23—A REFRESHING DRINK 
Height, 181% inches; width, 15 inches 


Aw Arab chieftain, with white and yellow bernous and turban, mounted 
on a beautiful white steed, has stopped in an oasis and is drinking a 
cup of water which has been handed to him by a native girl, in red 
with white headdress, who stands at the horse’s head with her left hand 
on the breast strap of the jeweled harness. The chieftain holds by the 
muzzle with his left hand his long rifle which he has let slip to rest on 
the ground, and a large blue water jug stands nearby. Landscape 
setting of palm trees and blue sky. 


Signed at the lower left, G. WasHINGTON. 


From the Estate of Mary A. Ropsrns. 


60. V4 Lor . 


ADOLPHE MONTICELLI 


Frencu: 1824—1886 


24—THE FARMYARD 
Height, 154% inches; length, 24 inches 


In front of a low stable, of whose roof only the lower edge is visible, 
a large gray rooster and hen are leading a quiet, unruffled life in the 
warm glow of strong sunlight, and another, darker fowl is in shadow 
against a side building at the left. In the corner is a rain barrel. The 
stable is a yellowish white, with hints of rose, and its uneven roof of 
thatch or ancient tile is brown and black and gray and green and 
red, weathered and “barnacled,”’ and in the harmony of time softened 
in tone withal. The rudely built heavy wooden door is open, and in 
the shadows within a pair of expressive long ears are conspicuous. 
Coming down some stone steps at the right, outside, is a chubby small 
boy. 

Signed at the lower left, MonTIcELt1. 


Purchased from Messrs. Cottier & Co. 
From the I. T’.. Williams Collection, 1915. 
Property of a Private Collector. 


age LW Mrauphart 


JULES ADOLPHE BRETON, 
Frencu: 1827—1906 
295—LANDSCAPE 
(Panel) 
Height, 14 inches; length, 2134 inches 


A ztanpscaPrE of rich tonality, showing a group of buildings with low 
white walls and brown roofs, at right, where a man on a white horse 
and a maid, standing beside hin, are chatting; at left, a peasant woman 
and a child, near a large cauldron; hills in distance, sky of white and 
gray clouds. 

Signed at the lower right, J. Breton. 


Property of Frernanp Goossens, Professor of Fine Arts, University 
of Brussels. 


G00. @. tdudenl, agl. 
ALBERTO PASINI 


Iratian: 1826—1899 


26—THE COURT ON A JOURNEY 
Height, 251% inches; width, 194 inches 


ProcrEDING up a road which leads through a mountain pass, a great 
company of splendidly mounted Arab notables wearing rich vest- 
ments and carrying aloft their lances, are escorting two canopied con- 
veyances, one with light blue the other with rose-colored curtains. It 
is evidently a déplacement of importance, perhaps a journey to a Mo- 
hammedan shrine. The upper part of the composition is occupied by 
rocky ranges and dull blue sky. 


Signed at the lower right, A. Pastnt. 


From the Estate of Mary A. Rossins. 


/60. Wm. Marribon | 


RUDOLF ERNST 
German: 1854— 


2(1—ORIENTAL INTERIOR WITH FIGURE 
Height, 24 inches; width, 19 inches 


In a marble corridor with gold ornamentation and brilliant stained 
glass windows, an Arab with venerable white beard and elaborate cere- 
monial dress stands facing the left, three-quarters front, left hand 
resting on hip. In his right hand he holds a copper ewer from which 
he is filling glasses which are inset in a circular table surrounding the 
standard of a tall lamp that extends much higher than his head. 


Signed at the lower right, R. Ernsr. 
Property of a Private Collector. 


$/30 Mts fabnben | 


JEHAN GEORGES VIBERT 
Frencu: 1840—1902 


28—ENTRANCE TO THE MONASTERY 
Height, 251% inches; width, 2114 inches 


A sTONE stairway of angular course mounts from a court, within an 
embrasure of a gray building whose walls are all but bare of adorn- 
ment. Sunshine and shadow play upon them, and half-way up the 
stairs a woman in black stands looking sadly over a balcony railing, 
while at the foot of the stairs a cloaked man, hat in hand, looks up at 
her. 

Signed at the lower right, Totep—E—J. G. Viper. 


Property of a Private Collector. 


Shee Mott. Hyman. 


WILLEM ROELOFS 
Dutcu: 1822—1897 
AND 


EUGENE JOSEPH VERBOECKHOVEN 
Dutcu: 1799—1881 


29—_LANDSCAPE, SHEEP AND SHEPHERD 
Height, 18%4 inches; length, 20 inches 


In verdant lowlands plentifully watered by green canals a village 
of creamy walls and red tile roofs lies in sunshine amid dense trees, and 
in the transparency of a cloud-shadow over the foreground is a shep- 


herd with his flock. 


Signed at the lower left, W. Rortors. EucENE VERBOECKHOVEN. 


Property of a Private Owner. 


SLE. 9.9.12. Ushuputs’ 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


30—LANDSCAPE 
(Panel) 


Height, 16 inches; width, 12% inches 


Just beyond a simple foreground with tufts of herbage a little stream 
passes bordered by thickly growing clumps of willows. Here a woman 
is tending her two grazing cows. ‘Tall, slender trees rise from either 
side of the stream and on the farther side, half-hidden bythe willow 
foliage, is a little group of white-walled houses. The sky is composed 
of delicately modified white clouds with touches of blue in the upper 
part. : | 

Signed at the lower left, Corot. 


Property of a Private Collector of Boston. 


$950. hts. 84 Boardman. 


ROBERT REID, N.A. 


AMERICAN: 1863— 
31—THE BROOK 


Height, 26 inches; length, 284% inches 


EN PLEIN arr a fair young woman nude, with a light drapery at her hip, 
is observed in profile to the left, seated on the sloping bank of a brook 
which courses down the center of the composition in the seclusion of a 
wood, the leaf-filtered sunlight playing in color on foliage and stream 


and the soft flesh. 
Signed at the lower left, Ropert Ret. 


Purchased direct from the artist. 


Property of Vicror Harris, Esa. 


$70 LOBE 


GUSTAVE COURBET 
Frencu: 1819—1877 


32—THE BLACKSMITH’S SHED 
Height, 231% inches; length, 29 inches 


In the shade of trees that stand at the right, and of the projecting 
tiled roof of a French brown farm building occupying the center of the 
composition—which is a wing of an adjoining low brown building-group 
on the left—two farm horses are tethered, a white and a sorrel, and 
an aproned man is currying the white one. A slant of sunshine 
illumines the horses’ coats and glints softly from the grassy ground, 
and the foliage of the trees stands out against a oo turquoise 
sky veiled with creamy-white clouds. ; 


This painting has been exhibited both as “The Blacksmith’s Shed” and as 
“The Blacksmith’s Shop.” 


Exhibited at the Metropolitan Museum of Art. 
Collection of Alexander Morten, New York, 1919. 


Property of a Private Collector. 


$1.00. lbp, I dancer 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


33—GLADE IN PIERRE WOODS, IN EV AUX, 
NEAR CHATEAU-THIERRY ~ 


(Panel) 


Height, 18 inches; width, 13814 mches 


- Tue middle portion of this graceful composition is filled with the foliage 
of trees which stand on either bank of a little stream passing through 
level fields. At extreme left is another tree, tall and slender at the foot 
of which are two women, one of them gathering wild flowers. In dis- 
tance, a church and other buildings; high sky of warm-tinted white 
clouds with some qualified blue above. 


Painted, 1855-1865. Recorded in Robaut’s “L’Qiwore de Corot,” 
Volume III, No. 1920, and reproduced from drawing by Alfred 
Robaut. : 


Durand-Ruel Exhibition, Paris, 1878 (No. 106). 
Signed at the lower left, Coror. — 
Property of a Private Collector of Boston. 


$ / Fo0. , | Ce 


HENRI JOSEPH HARPIGNIES 


Frencu: 1819—1916 


344 HOLIDAY IN THE WOODS 


Height, 26 inches; width, 2014 inches 


A company of children, ten boys and two little girls, enjoying a ring-. 
around-a-rosy and other diversions on the grass at the edge of a wood 
where a road, passing through, winds into the distance between groups 
. of tall trees. Between the foliage masses appears an early evening 
sky with warm tints below and white cloud flecks in tempered blue above. 


Signed at the lower left, H. Harvrientes. 
From the Estate of Mary A. Rossrns. 


£120. Wm. caporté. 


ALBERTO PASINI 


Irauian: 1826—1899 


35—HUNTING IN NORTH AFRICA 


Height, 26 inches; width, 21% inches 


A HUNTING scene in the French possessions of Northern Africa depict- 
ing two tribal chiefs, one a swarthy, bearded Arab, the other a negro, 
both riding superb horses side by side toward the spectator, the Arab 
with a falcon on his wrist held high, the other with his long-barrelled 
gun pointing upward. At left, two hunting dogs are in full chase. The 
landscape setting shows a plain stretching away to rocky hillsides and 
sky of clouds with blue in upper right. 


Signed at the lower left, A. Pastn1, and dated, 1867. 


From the Estate of Mary A. Rossins. 


160. Ww. BA) 2 ag. 


ARMAND GUILLAUMIN 


FrencH: CONTEMPORARY 


36—LA LECTURE (Madame Cézanne reading) 
Height, 24 inches; width, 20 inches 


SEATED in a deck chair on a path in a garden blooming with flowers 
and the walls of a house seen indistinctly through the foliage, is a 
woman wearing a gown of red with black velvet trimming and a blue 
hat with white flowers. She is depicted reading a book with yellow 


paper covers. 
Signed at the lower right, GUILLAUMIN. 


e e e > 
Purchased from Bernheim jeune et Cre, Parts. 


Property of a Private Collector. 


230. LU, Kroubpaas 


VICTOR PIERRE HUGUET 


Frencu: 1835—1902 


37—_DESERT ENCAMPMENT 
Height, 2524 inches; length, 34 inches 


On flat yellow sands of a desert, with indications of an oasis, and 
barren hills in the background, men have set up their brown tents in 
a long line. Near one of them in the foreground two horses and a 
man stand with backs to the spectator and the strong breeze. 


Signed at the lower right, V. Hucuer. 


Property of a Private Owner. 


feo. 4.te Usfu hbo? 


VICTOR PIERRE HUGUET 


Frencu: 1835—1902 


38—ARABIAN SCENE 
Height, 251% inches; length, 32 inches 


GREEN marshlands and yellow sands spread over the foreground, before 
a line of low and barren hills, and in the marshes are five Arab horse- 
men, interested in the flight of a falcon, in whose direction one man 
speeds his horse. 


Signed at the lower left, V. Hucver. 


Property of a Private Owner. 


Bed 8. fA. Tbe. 


THOMAS H. WATSON 
EnecusuH: 1839— 


39—MOUNTAIN SHEEP 
Height, 24 inches; length, 36 inches 


RuccED mountains all but treeless form a high skyline, and are cleft 
by a narrow stream. On their slopes covered with green and brown 
herbage a group of black-faced sheep are standing or lying at rest. 


Signed at the lower right, TH. Watson, 19038. 
Property of a Private Owner. 


f 220. fA. teurell. 


A ee ee ee Nien eee 


EDWARD GAY, N.A. 
AMERICAN: 1837— 


40—GOLDEN HARVEST 
Height, 2014 inches; length, 3014 inches 


THE ripened grain, a rich and warm golden yellow, extends across the 
foreground, and a man stands waist high in it at the edge of a mown 
section toward the right. Across the background, low hills and green 
trees, and farmhouses. 

Signed at the lower left, E>warp Gay. 


Property of a Private Owner. 


0. EH. Manning. 


WILLIAM M. CHASE, N.A. 


AMERICAN: 1849—1916 


41—FISH WITH STILL LIFE 


Height, 29 inches; length, 36 inches 


Tuts is an example of the craftsmanship of this artist at its highest. 
The composition is made up of three great fish in the foreground ; 
there is a black pot lined with brass, another vessel almost lost in the 
shadows, and a piece of green pottery which alone would be-a master- 
piece. The modeling of the fish, the textures, the peculiar moist slip- 
periness of fish are all done with the brush of a magician. With pure 
pigment has he done all this, and done it as few men had the power 
to do. No finer example of his art has appeared in a long time. 


Signed at the lower left, Wm. M. Crase. 


Property of a Private Collector. 


f 900. | oA. Joolh v don. 


JOHN J. ENNEKING 
AMERICAN: 1841— 


42—_SUDDEN RAIN: A SUMMER SHOWER 
Height, 22 inches; length, 30 inches 


In a hayfield just cleared and where the sun is still shining in the 
foreground, farmers are hastening with the last loads, doomed to be 
overtaken by a sudden drenching shower which already darkens the 
broad background hillside. 

Signed at the lower right, ENNEKING, 98. 


Purchased direct from the artist. 


Property of Victor Harris, Esa. 


$ /00. BA. Vrelor. 


CHARLES MELVILLE DEWEY, N.A. 
AmeErRscAn: 1851— 
43—SUNSET 
Height, 29 inches; length, 36 inches 


In the foreground a pond with reeds, and in the middle distance at left 
a cottage in the shelter of a clump of tall trees, with other buildings 
and sinuous trees at the right, the whole landscape dark in the gloaming 
and a light glowing red within the cottage. Afar off the whole sky is 
crimson and gold in the afterglow of the departed sun. 


Signed at the lower left, CHartes MetvittE Dewey. 


Property of a Private Owner. 


510. 4. deabongood. 


FRANK DE HAVEN, A.N.A. 
AMERICAN: 1856— 


44-—LANDSCAPE AT SUNSET 
Height, 28 inches; length, 361 inches 


GREEN fields sloping lightly from either side toward a rough field road, 
with trees on the right, lie darkly under a lowering cloud, the shadow 
giving way in the middle distance to broad fields with more trees, all 
still alight from the rose and golden glow of a luminous sunset sky 
banked with horizon clouds. In the road a woman and child wend a 
slow way homeward toward the lighted fields. 


Signed at the lower left, F. D—E Haven, 1895. 


Property of a Private Owner. 


70 oie Spence” 
FERDINAND DE BRAEKELEER THE ELDER 
Fremisu: 1792—1883 


45—ANTWERP AFTER THE BOMBARDMENT IN 1832 
Height, 2334 inches; length, 2834 inches 


Tue scene depicted shows a part of Antwerp, with its fort at left, which 
was occupied by the Dutch and bombarded by the French under Gen- 
eral Girard, whose figure is seen in the left foreground. In the center 
of the composition, in middle distance, is a gate of the city; at right, 
a street and buildings. Above the roofs are two towers the one to 


right being the famous spire of the cathedral. Sky of clouds and blue. 


Property of Fernanp Goossens, Professor of Fine Arts, University 
of Brussels. 


60 Wim. I daporle. 


: MEINDERT HOBBEMA _ 


~ Dutrcu: 1638—1709 


46—LANDSCAPE WITH WATERMILL 


H eight, 18 inches; length, 24 inches 


Art the left a mill with red-tiled roof stands under the shade of trees 
and back of it, in sunlight, is another red-roofed building. In center 
foreground, a stream; at right, the other bank with a full-foliaged tree; 
beyond, a prospect of flat country with groups of trees; sky of large 
- masses of white clouds with a space of blue in upper center. 


Signed at the lower left, M. Hopprema. 


Property of FERNAND Goossens, Professor of Fine Arts, University 


of Brussels. 


J / 000. 


AERT VAN DER NEER 
Dutcu: 1603 or 4—1677 


47—THE FROZEN CANAL 
(Panel) 
Height, 1914 inches; length, 321% inches 


A winTER landscape in Holland with a frozen canal stretching away 
from the foreground between broad, snow-covered walks; bare trees and 
houses on either side and windmills in the distance; sky of clouds with 
a space of blue. In the foreground, on the ice, some men are playing 
hockey, farther away are skaters and promenaders. 


Property of and inherited by CotoneL Lron OstTERREITH, from the 
Estate of his family, in whose possession tt has been for many gen- 
erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


§ 350 Mts. vor. fetty 


. 


—— ee ee ee eee 


JACQUES CALLOT 
Frencu: 1592—1635 


48—LA FOIRE DIMPRIMETA 
Height, 2134 inches; length, 35% inches 


A composition depicting a large square, or place publique, with a ker- 
messe in progress and innumerable figures. In the middle of the place, 
a stone column surmounted by a female figure; at right, a stately 
church and other buildings; on the left and in the distance, other build- 
ings; over all a sky of blue with white clouds below and dark ones 
in upper right. In the left foreground strolling players are acting 
on a platform and a crowd of spectators stand before it. In right 
foreground, crowds moving about on foot, a horseman and a cart. In 
left, middle distance, a sedan coach drawn by four horses is passing, 
and farther away are still more pleasure seekers. 


From the de Brakelaer Sale, April, 1910. 


Property of and inherited by Coronet Lton Osterreiru, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


EO CL. tdidett, agk. 


JAN LOTEN 
Dutcu: 1618—1680 


49—LANDSCAPE AND FIGURES 
Height, 34 inches; width, 27734, inches 


A roap leading from a shady foreground into the center of the picture, 
with trees lining it on either side; woods in middle distance and level 
country beyond; sky of white clouds and qualified blue. In right fore- 
ground, a hunter, with his dogs, returning from the forest with a large 
game bird, has stopped to talk with a dwarf, and on the road, farther 
away, a woman riding a donkey is accompanied by a man on foot. 


oe. te a wa 


Property of and wmherited by Cotonet Lron OsterreitH, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located wm the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


§ 250. ewe Glyn. 


Sa), 


ADRIEN PYNACKER 
Dutcu: Circa 1618—1663 


50—LANDSCAPE WITH FIGURES, CATTLE, SHEEP AND 
GOATS 


Height, 4414 inches; width, 3614 inches 


Ar the bend of a forest path a shepherd in blue smock, seated at the 
foot of a dead tree and a rustic musician standing beside him, playing 
a flute; back of the shepherd, a white cow, and in front of him some 
goats, a sheep and two dogs; at right, a brown cow lying down—all 
seemingly under the spell of the pastoral music. On the right are tall 
trees; on the left, trees and bushes; beyond, a hillside, and, over all, a 


sky of gray clouds. 
Signed in cipher at the lower left. 


Property of and inherited by Cotone, Léon Osrerreiru, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


(35. Lance yop. 


SCHOOL OF COLOGNE 
51—MARTYRDOM OF ST. THOMAS OF CANTERBURY 


(Panel; painting with medium of white of egg) 


Height, 2334 inches; width, 1634 inches 


A composition of three principal and seven accessory figures. At 
right, St. Thomas of Canterbury, with halo, standing in profile to 
right; hands upraised, white garment and cloak of crimson and gold; 
in center, the executioner in red doublet and green small clothes, with 
a great broadsword held high in both hands, ready to strike; in left 
foreground, a nun in gray habit and white hood, kneeling. Back of 
the nun either kneeling or standing are another nun, priests, a ruler 
wearing a tiara and a magician with tall cap; on the table of an 
altar, at right, the mitre of the martyr, a lamp and book. Gold back- 
ground. 


Property of and inherited by Coronet Lton Osrerreiru, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located in the 

Family Palace on the Place de Meir at DAE 2B bop 


$ 350 


CORNELIS JANSSENS 


DutcnH: Circa 1593—1664 


52—JANE, DAUGHTER OF HENRY SKIPWITH 


Height, 26 inches; width, 201% inches 


Bust in an oval of a middle-aged lady, in black low dress embroidered 
with gold lines; broad white muslin collar at back of neck; dark hair, 
pearl necklace and earings. 


Very little is known concerning Janssens, but he was in England from about 
1618 till 1648, where he was patronized by James I and where for many years he 
was in great demand as a portrait painter, his sitters including members of the 
Royal family and the nobility. In quality his work varies considerably. 


S. A. Hearn Collection, 1918. 


Property of a Private Collector. 


EO: ©. : AS. te. Mbbped ge. 


SIR PETER LELY 


Bririsu: 1618—1680 


58—PORTRAIT OF A LADY 
(Oval) 


Height, 281% inches; width, 2314 inches 


Hatr-Lencru seated portrait of a lady about thirty, head in three- 
quarters to right; dark hair, in ringlets on forehead and long loose 
locks falling over left shoulder where left hand is lightly placed, right 
hand resting at left; low white gown and loose cloak of yellow-brown, 
around neck a string of pearls. 


Property of Fernanv Goossens, Professor of Fine Arts, University 
of Brussels. 


/10. AN Beinblitn . 


PETER PAUL RUBENS 
Fremisu: 1577—1640 


54—PORTRAIT OF A YOUNG PAGE (One of the sons of the 


artist ) 


Height, 4914, inches; width, 2644 inches 


FULL-LENGTH, standing figure of a boy in three-quarters to left; au- 
burn or “Rubens red,” hair cut rounded on forehead and locks falling 
on shoulders; fair, clear complexion, blue eyes looking to front; pear] 
gray cloth suit with lace-trimmed broad collar, full, white undersleeves 
with gold thread embroidery, ruffies at wrists and at knees; pink-red 
cloak thrown back over shoulders, buff leather shoes with rosettes, gray 
felt hat, with plume of red and white, held at side with right hand. 
Background of neutral tint. Prepossessing in expression and graceful 
in attitude. 


At the Universal Exposition at Brussels, 1910, this portrait occupied the place 
of honor in the pavilion reconstructing the house of Rubens in Antwerp. 


Property of and wmherited by Cotonet Lton OstErR4EITH, from the 
Estate of his family, in whose possession it has been for many gen- 
erations, as a part of the Collection Osterreith located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


$ 5000. WAM: Seaman. ab. 


SIR ANTHONY VAN DYCK 
Fremiso: 1599—1641 


55—PORTRAIT OF A GENTLEMAN 
Height, 421% inches; width, 32% inches 


THRRE-QUARTERS-LENGTH standing figure of a man with dark hair— 
bald on top of head—moustache and brown, pointed beard; broad, 
transparent collar and cuffs; black velvet doublet and black cloak en- 
veloping the lower part of figure. Head in three-quarters to left, left 
hand on hip, right hand dropped at side and holding rim of black hat. 


In background, two pillars, red curtain and landscape view. 


Property of and inherited by Coronet Lion Ostrerreiru, from the 
Estate of his family, in whose possession tt has been for many gen- 
erations, as a part of the Collection Osterretth located in the 
Family Palace on the Place de Meir at Antwerp, Belgium. 


$ joo 0. etre. aah, 


—— 


ah ant 


GEORGE ROMNEY 
EncusuH: 1734—1802 


56—PORTRAIT OF LORD DEVON 
(Oval) 
Height, 30 inches; width, 25 inches 


Te head and shoulders of a middle-aged gentleman in three-quarters 
view to the right, the head slightly inclined upon the left shoulder, and 
the eyes looking toward the spectator. He wears a full gray wig, a 
blue coat lined with satin and trimmed with gold galloon over a cream- 
colored satin waistcoat, and a loose white jabot. The sitter was Sir 
William, Viscount Courtenay, of Powderham Castle, County Devon, 
created peer May 6, 1762. 


From the collection of Louis A. Biddle, Esq., Philadelphia. Valuable 
Modern Paintings, 1906. ) 


Property of a Private Collector. 

g [000 Wm. f Mann. 

ANTONIO CANALE (called CANALETTO) 
Iravtian: 1697—1768 


57—_CHURCH OF ST. GEORGE THE GREATER, VENICE 
Height, 22 inches; length, 3334 inches. 


Own the right, the Church of St. George, with sculptured front and peo- 
ple walking on the paved approach; back of the facade, the tower and 
dome. At left, in the waters of the Grand Canal, a fishing boat and a 
number of gondolas; in middle distance the buildings of Venice on the 
opposite shore, sky of gray clouds with spaces of blue. 


From the collection of Canon Barbier, Nancy, France. 


Property of FERNAND Goossens, Professor of Fine Arts, University 
of Brussels. 


LOO Le Towne. 


SIR THOMAS LAWRENCEH, R.A. 
EneuisH: 1769—1830 


58—PORTRAIT OF CAPTAIN THOMAS DRAKE 
Height, 36 inches; width, 28 inches 


Tuis is the life-size portrait of a man in early middle life seen to the 
waist. He wears a military costume with a high double-breasted blue 
coat with two rows of buttons close together, a high collar trimmed 
with gold galloon over red, large epaulettes, a decoration on his left 
breast and a sword belt around his waist. The left hand is resting on 
the belt. ‘The body is in full face and the head in three-quarters view 
to the left, somewhat raised, and the eyes turned in the same dirction. 
The face is framed by a mass of curly brown hair and whiskers trimmed 
rather closely to the cheeks. The background is a graded tone of warm 
gray. 

The sitter for this portrait was Capt. Thomas Drake, originally Thomas Trayton 
Fuller, but who assumed by sign manual, under the settlement of Sir Francis Henry 
Drake, Bart., the additional surnames and arms of Eliot and Drake. He was 


created a baronet in 1821. Was captain in the army and served throughout the 
greater part of the Peninsular War. 


From the collection of Louis A. Biddle, Esq., as Valuable 
Paintings, 1906. 


Property of a Private Collector. 


I50 Mts. Uf Jats. 


CHARLES FRANCOIS DAUBIGNY 
FrencH: 1817—1878 
59—LANDSCAPE 
Height, 24 inches; length, 391% inches 
Green fields slope downward from the spectator, in foreground, with 
wild flowers in the grass and low-growing trees at left. In right middle 


distance, a strip of sandy beach and, beyond, the sea with distant 
vessels dotting its surface. Sky of gray clouds. 


Signed at the lower left, Dausiany. 
From Messrs. Durand-Ruel. 


Property of a Boston Collector. 


IGVO WW deaman . ag 


MARCIUS SIMONS 


AMERICAN: CONTEMPORARY 


60—“TIME IS MINE,” SAITH THE LORD, “I WILL REPAY” 


Height, 42 inches; width, 26 inches 


AN allegorical composition with subject based on the Spanish Inquisi- 
tion. In the square before a cathedral which rises high with towers 
and spire, martyrs are being burned at the stake in the presence of a 
crowd of people who throng the square and narrow streets among 
the adjacent houses. Above, in the sky, at right, are angels and 
celestial personages bearing swords and censers. At upper left, another 
celestial figure with long robes of orange points to the inscription as 
given in the title. The ensemble shows a medley of color with tints of 
blue predominating. 

Signed at the lower center, Marcius Simons. 


Purchased direct from the artist. 


Property of a Private Owner. 


$ 30. UW 3. Bernbletn. 


ALEXANDER HARRISON, N.A. 
AMERICAN: 18538— 
61—UN NAUFRAGE 


Height, 30 inches; length, 55 inches 


In the left foreground, standing on a wide, sandy beach, a man who 
has been shipwrecked on some lonely shore, stands waving aloft a 
strip of his red shirt, trying to signal a sailing vessel which is seen 
well out at sea. The sand is tracked by the footprints of his wander- 
ings and at right the beach slopes upward to a mass of rocks. Sky 
of gray clouds with flying gulls. 


Signed at the lower right, ALEx. Harrison, and dated, 1881. 


From the Estate of Mary A. Ropsrs. 


EGHOY ed Cs vel 


te 


GEORGE H. BOGERT, N.A. 
AMERICAN: 1864— 


62—EVENING GLOW OF GOLD 

Height, 3714 inches; length, 48 inches 
A DETACHED tree standing before a wood at the right, lower tree masses 
at the left, and between them a brook descending by a small waterfall 
to a foreground pond. - The foliage of all the trees, including others 
in the far background, a rich dark mahogany-red in semi-transparent 


shadow as they stand forth before a blazing sky illumined by the golden 
orb in full glory just above the horizon. 


Signed at the lower right, Gkorcr H. Bocrrr. 


Property of a Private Owner. 


60. a#. Nab ly 
JULIAN RIX. 
AmERIcAN: 1851—1903 


63—A BLACK STORM 
Height, 32 inches; length, 42 inches 


Art the left the sun, through the last opening in clouds all but obscuring 
the entire heavens, shines upon a small patch of land where there are 
humble farm dwellings. Before this plot, through the center of the 
landscape, courses a river which is now dark save where it reflects the 
one opening of light—beyond the river at the right and in the distance 
being dense, dark, wooded hills, over which an aggressive black thun- 
derstorm is gradually spreading, turning the land to gloom. 


Signed at the lower left, Juuian Rrx. 
From the Julian Riaz sale, New York, 19138. 


Property of Vicror Harris, Ese. 


80. St @. Skurell, 


JEAN. BAPTISTE EDOUARD DETAILLE 
| FRencn: 1848—1912 
64—SENTRY ON PATROL | 
Height, 591% inches; width, 43 inches 
ALERT, with musket in left hand and right hand clenched, a French 
infantryman is seen in profile to the left, moving with active step and 


keen attention to something ahead of him. He is burdened with a full 
pack, and is passing before a well-battered wall. 


Signed at the lower ne Evovarp Deratt. LE, 1885. 


Property of a Private Owner. 


ee eo 


PROFESSOR KARL HEFFNER 
GERMAN: 1849— 


65—LANDSCAPE 

Height, 331% wmches; length, 47 mches 
On the shore, at the right, an ancient church is seen towering above the 
trees and on the left are the distant banks of a river. The sky is 


clouded with gray, after the passing of a shower, and a band of light at 
the horizon indicates clearing weather. 


From Catholina Lambert Collection, 1916. 


Property of a Private Owner. 


$I'70. Wr. F haporler 


T. VAN ELVEN 


BELGIAN: CONTEMPORARY 


66—THE MARKET PLACE 
Height, 591% wches; width, 414% inches 


In the foreground, a square, or carrefour, with a large circular foun- 
tain basin in the center, a covered cart with its horse standing unhitched 
beside it, at right, and two women sitting on the flagstones ; back of the 
basin, another cart, market stalls and groups of people. On the 
farther side of the square stands a fine stone building of Renaissance 
architecture and beyond it are seen the two towers of a cathedral. 
Enclosing the square are tall, old buildings with steep weather-stained 
roofs and over all is a summer morning sky of blue with misty white 
clouds. 


Signed at the lower left, 'T. Van Etven, and dated, MDCCCLXVI. 


From the Estate of Mary A. Rogsrns. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


150. LOT: 


a 


IR WORKS 


i 


THE 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

BOCK, THEOPHILE DE 

Cattle at the Pool | 6 
BOGERT, Grorcr H., N.A. 

Evening Glow of Gold 62 
BRAEKELEER THE ELDER, FERDINAND DE 

Antwerp after the Bombardment in 1832 45 
BRAUWER, AnpriaEn 

Le Buveur 15 
BRETTON, Juries ADOLPHE 

Landscape 25 
BUNCE, Wit11amM Gepney, N.A. 

Apples 1 
CALLOT, Jacques 

La Foire d’Imprimeta 4.8 
CANALE, Antonio (called CANALETTO) 

Church of St. George the Greater, Venice oF 
CARLSEN, Emit, N.A. 

Still Life 4 


CHASE, Wit11aMmM M., N.A. 
Fish with Still Life AT. 


CATALOGUE : 
NUMBER 
COROT, JEAN Baptiste CAMILLE | 
The Pasturage 10 


Landscape 30 
Glade in Pierre Woods, in Evaux, near 
Chateau-Thierry | 33 


COURBET, Gustave 
The Blacksmith’s Shed 52 


DAUBIGNY, Cuarrrs FRANco!sS 
Landscape | 59 


DE HAVEN, Franrt, N.A. 
Landscape at Sunset 4A, 


DETAILLE, Jean Baptiste Enovarp 
Sentry on Patrol 64 


DEWEY, CuHaries MELvItte, N.A. 
Sunset % 43 


ENNEKING, Joun J. 


Sudden Rain: A Summer Shower 4? 


ERNST, Rupo.r 


Oriental Interior with Figure 27 


GAY, Epwarp, N.A. 
Golden Harvest | 40 


GREUZE, JrEan Baptiste 
Portrait Study 16 


GUILLAUMIN, ArMaAnpb 
La Lecture (Madame Cézanne reading) 36 


HARPIGNIES, Henri Josrery 
A Holiday in the Woods 


HARRISON, ALexannver, N.A. 
Un Naufragé 


HART, James M., N.A. 
Landscape and Cattle 


FIP EEN BR Paoresson Kant. 
Landscape | 


~ HENNER, Jean Jacques 
Reclining Nymph 


HOBBEMA, MeEtnpert 
Landscape with Watermill 


HUGUET, Vicror PIERRE 
Desert Encampment 
Arabian Scene 


JACQUE, Cartes Emire 
Chickens 


JANSSENS, Corne tis 
Jane, Daughter of Henry Skipwith 


LAWRENCH, Sir Tuomas, R.A. 
Portrait of Captain Thomas Drake 


LELY, Sir PETER 
Portrait of a Lady 


LOTEN, Jan 
Landscape and Figures 


CATALOGUE 
NUMBER 


34 


6] 


13 


65 


46 


OX 
bo 


49 


‘oR. 
we, 


Sa ae 
MAUVE, An TON 
Feeding ‘Time 3 7 mei 
METTLING, Louis 
Relics of the Past | 8 


MONTICELLI, AnoLpHE 


The Farmyard : 124 
NETSCHER, Constantine 

Soap Bubbles | 20 
OPIE, Joun, B.As~ 

Portrait of Himself 18 

The Fortune Teller 19 


PASINI, ALBERTO : 
The Court on a Journey 26 
Hunting in North Africa 35 


-PYNACKER, Avrien 


Landscape with Figures, Cattle, Sheep 
and Goats 50 


RAFFAELLI, Jean Francois 


On His Way 22 
REID, Rosert, N.A. , 

The Brook Bu 
RIBOT, Aveustin THEODULE 

The Cook ee 
RIX, JuLIaAn 


A Black Storm 63 


Saar 
ROELOFS (Wit1em) and VERBOECKHOVEN 
(EUGENE JOSEPH) 


Landscape, Sheep and Shepherd 29 


ROMNEY, GerorcE 
Portrait of Lord Devon 56 


RUBENS, PEter Paut 


Portrait of a Young Page (One of the sons 
of the artist) 54 


RUSSIAN SCHOOL 
Le Christ en Croix 21 


SARTAIN, Wiiu14m, A.N.A. 
Landscape 12 


SCHOOL OF COLOGNE 
Martyrdom of St. Thomas of Canterbury 51 


SIMONS, Marctivus 
“Time is mine,” saith the Lord, “I will repay” 60 


STEVENS, L. ALFRED 


La Dame au Pigeon | 9 
VAN DER NEER, AErtT 
The Frozen Canal A 


VAN DYCK, Sir ANTHONY 


Portrait of a Gentleman 55 
VAN DYCK, Sir AntHony (School of) 
Portraits of Saints 14 


VAN ELVEN,-T. 
The Market Place 66 


er 
CATALOGUE 
: NUMBER 
VAN RAVENSTYN, JEAN | 3 | 
Portrait of a Woman 3 17 
VERBOECKHOVEN (EucrENrE JosEPH) and 
ROELOFS (WILLEm) | 


Landscape, Sheep and Shepherd 29 


VIBERT, JEHAN GEORGES 
Entrance to the Monastery 45428 


WASHINGTON, GrorceEs 
A Refreshing Drink | eS 4s: 


WATSON, THomas H. 
Mountain Sheep —6B9 


WHISTLER, James Assott McNEILL 


Greenwich , Ent! 


INTELLIGENT APPRAISALS 
FOR 
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INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


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Ob 


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AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
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TELEPHONE, 3346 GRAMERCY 


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